Kurt Schwitters — Statement Duo | Neutral Constructivist Art Print

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Kurt Schwitters — Statement Duo | Neutral Constructivist Art PrintKurt Schwitters (18871948) was a German British artist who invented Merz his own form of collage, assemblage, and total art and became one of the most original voices in the Dadaist and Constructivist avant gardes. Rejected by the Berlin Dada group, he built his own movement from found materials, typography, and commercial ephemera, producing works that anticipate Pop Art by three decades. His poster designs and typographic works brought the Bauhaus

making him the most recognisable Post-Impressionist painter in history

A Matisse sketch is not a preliminary study but a complete thought: line as pure seeing

White on White (1918) reduced painting to near-invisibility

ink painting

Rejected by the Berlin Dada circle

and dozens more — drew on medieval tapestry

The Flower Market series draws on the visual language of mid-century botanical exhibition posters — bold typography

who copied his prints

The image of a giant woman straddling a highway

Morris & Co

acid-free and rated for 200+ years of color stability

his work had a significant influence on European artists who encountered his prints — particularly the Glasgow School and the Art Nouveau designers who admired his botanical precision

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