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Charlotte Perriand: The Art of DwellingWhen Charlotte Perriand arrived at Le Corbusier's studio in 1927, he told her there was no place for women in his atelier. She left, came back with her portfolio, and spent the next decade reshaping modern furniture with him. The tubular steel chaise. The modular kitchen. The idea that a well designed room could constitute a social argument. She was 24. She had barely started. This exhibition catalogue the first major Perriand monograph in twenty

Deep plum with copper foil detailing – elegant

Available in very limited quantities

foil stamping

on ten miles of fog-battered Northern California coastline

Defined by its organic molded shape and finished in an oyster white glaze over dark clay

Her artistic vision weaves together contrasting elements – blending the rational with intuitive

UL Certified

3"D across all sizes

Gloss black collapses the form into something closer to sculpture

This is functional minimalism that enhances rather than announces—elevating bathroom and kitchen surfaces through considered restraint

Raw brass develops a natural patina over time

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