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John Fahey Proofs & Refutations VinylRecorded circa 1995 96, mostly in John Faheys room at a Salem, Oregon boardinghouse, the performances on Proofs and Refutations prefigure the ornery turn of the page that marked Faheys final years, drawing another enigmatic rabbit from his seemingly bottomless musical hat, making confoundingly delightful demands upon your listening (and thinking) ears. 1. All the Rains 2. F for Fake 3. Morning, Pt. 1 4. Morning, Pt. 2 5. For LMC 2 6. Evening, Not

Slowdive may not be a dramatic return that will blow people away

"Skeletons"

The success of this film in the French market also allowed Floyd a huge step towards gaining popularity in a region where Anglo-American rock groups traditionally fared poorly

" he's jubilant ("1985 was a good year/The sky broke apart then you appeared") but also "tired" and "beaten

but it's astounding how so many of the sketches leave an immediate impression

Josh Osborne

with a nod to Ahmad Jamal's "Swahililand" (which hip-hop fans will recognize from De La Soul's "Stakes Is High")

but Reznor always excelled at painting with electronics

Kage and Jables harmonize well

Johnson serves up a groovy

Limited Edition

Despite "Pink Balloon" and the ham-fisted opener "When Sex Was Dirty" -- bluesy bluster that pulls this closer to Lenny Kravitz than Hendrix -- Call It What It Is is largely devoted to this blissed-out

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