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Force MajeureRe imagining landscape painting in a contemporary context has been a concern of mine. A mapping of place which encompasses geological time, social histories, personal experiences and memory is a primary motivation. The early Flemish Weltlandschaft has also been a continuing fascination in which viewpoint is often bird like providing the visual potential for a great stretching of space and time to unfold. The scars of the post industrial landscape,

It’s about the dance of paint and light

this painting is a playful take on this

’ thorough which organs do these extra-sensory perceptions find their entrance to the brain

and new ones still being discovered

London-based artist Joonhong Min critiques the chronic anxiety and information overload of modern urban life

While from the same moulding each is organic and individual

My fascination lies in juxtaposing traditional representation with innovative interpretation

A pair of ill-fitting boots - seemingly aflame - evoke the phrase “big boots to fill

An understanding of what is unknown

London 202X is a surreal walk in the city

and marks the point where I moved into works where layering and texture was much more dominant

diasporic identity to material presence: nazar blue becomes a protective atmosphere

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