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Sara Bjarland – GroundworkIn her sculptures and installations, Sara Bjarland uses discarded objects and materials that she finds in the city, to investigate overlaps and encounters of the natural and the artificial, the living and the non living. On almost daily bike rides past the enormous trash piles in Amsterdam, Bjarland collects objects such as pieces of furniture, dead house plants, plastic flowers, garden accessories, bits of fences, cat crab posts, floor mobs, broken

he carefully draws the same image over and over again until he can eliminate his intention and the line becomes unconscious

a project of research/action at the Kandinsky Library of the Musée national d’art Moderne in Paris

it has long gone beyond its materiality

Facing the site of a trauma exceeding her own

Comes in three cover colour ways

Gail Vachon

he littered whole

Human relations and connections are essential to the work of many contemporary artists

These moving-picture aquascapes float between the poles of reality and virtuality

This distillation of Sullivan’s photographs

Perimeter Editions (Melbourne) & Bloom Publishing (Melbourne)

where he would write about the images